Author: artassets

  • 21 ’til 21: Sharon Chen Lin

    21 ’til 21: Sharon Chen Lin

    Art Assets was thrilled to present a series of performances by Sharon Chen Lin at Water Street POPS. Sharon’s interactive pieces explore a return to a time before phones and internet. How do people meet and maintain friendships?

    During the week of “Happy Hour,” participants were invited to explore and have fun at an over-size playground for adults. During the week of “Your Wish’s Day,” participants were invited to give their deepest hopes and wishes to the artist. During the week of “Holiday Special” participants collectively celebrated the birthdays of strangers and peers.

    Water Street POPS!

    For more information about Sharon Chen Lin, you can visit the artist’s website.

  • 21 ’til 21: Shantala Shivalingappa

    21 ’til 21: Shantala Shivalingappa

    This summer, Jacob’s Pillow, the venerable Berkshire dance center, hosted a series of performances by Shantala Shivalingappa. Shantala is a world-renowned performer of Kuchipudi, a style of classical Indian dancing. (Image above: Shantala Shivalingappa in Akasha. Photo: Elian Bachini)

    Here is an excerpt of Shantala’s performance at Jacob’s Pillow:

    A post-show interview with Shantala and her mother:

    Art Assets was delighted to host a brunch for Shantala and her mother following the performance as part of our 21 ’til 21 Salon Series.

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  • 21 ’til 21: Katherine Behar

    21 ’til 21: Katherine Behar

    Katherine Behar is an interdisciplinary artist based in New York, whose videos, performances, and interactive installations explore issues in contemporary digital culture. Katherine’s work appears at festivals, galleries, performance spaces, screenings and art centers worldwide, in Dresden, Amsterdam, Moscow, Leeds, Rome, Poznan, Mooste, Cluj-Napoca, New York City, Chicago, Miami, and numerous cities throughout the U.S., and is held in private collections. She is Assistant Professor of New Media at Baruch College.

    Created for Water Street POPS, Katherine Behar’s Street.s/wall.ing/in is a new site-specific performance about architectural memory and traumas in the urban environment. Dancers will inhabit colored shapes derived from transient urban architectural forms, animating and exploring the exterior of 32 Old Slip in Manhattan’s Wall Street neighborhood. Street.s/wall.ing/in will be performed on August 16 from 5:30-7:30 PM in conjunction with Water Street POPS, curated by Ombretta Agro’ and Art Assets. The project is supported by a residency at LaunchPad in Brooklyn.

    Disorientalism

    Visit the artist’s website: Katherine Behar

  • Unpredictable Patterns of Behavior

    Unpredictable Patterns of Behavior

    The team at Art Assets is delighted to announce that our terrific curator, Ombretta Agró Andruff, has curated her first independent exhibition in Miami.  “Unpredictable Patterns of Behavior” opens Wednesday, June 5th at 6pm in conjunction with Art Center/South Florida.

    Please read the press release below for more information.

     

    PRESS RELEASE

    ArtCenter/South Florida’s New Trajectory Advances

    With “Unpredictable Patterns of Behavior”

    Opening Reception Wednesday, June 5th 6:00-10:00 p.m.

    Richard Shack Gallery: 800 Lincoln Road

    Project 924: located upstairs at 924 Lincoln Road

    On view through July 28

    MIAMI BEACH (May 13, 2012) – ArtCenter/South Florida’s new exhibition “Unpredictable Patterns of Behavior” opens June 5th at both its Richard Shack Gallery (800 Lincoln Road) and at Project 924 (located upstairs at 924 Lincoln Road) and will be on view from June 1-July 28, 2013. The opening reception is open to the public on Wednesday evening, June 5th 6:00-10:00 p.m. (this is the first time ArtCenter has utilized both Lincoln Road spaces simultaneously).

    ArtCenter invited Ombretta Agró Andruff to curate this exhibition. She is an art visionary, originally from Italy who recently relocated from New York to Miami Beach. This is the first exhibition that Ms. Agró curates in Miami. “Unpredictable Patterns of Behavior” is a sequel to her 2012 New York exhibition, “(Un) Folding Patterns.” The New York show focused on the relationship between mathematics and the visual arts. This sequel at ArtCenter explores how creative minds interpret patterns across the artistic disciplines of the visual arts, sound and architecture.

    For her debut exhibition in Miami, Ms. Agró conducted extensive studio visits throughout Miami during the past four months. Her goal was to bring together a collection of artists tied to local residency programs (including ArtCenter/South Florida, Fountainhead Residency and Studio Program, and the Deering Estate Residency Program). Most of the artists in this show have ties to the residency programs (with the exception of MONAD Architects and Anne Spalter).

    “Since our early childhoods, we all instinctively absorb and enjoy patterns through all of our senses, even via our thinking,” says Ms. Agró, about the exhibition. “We live our lives constantly surrounded by a kaleidoscope of patterns. These artists, composers and architects relate to patterns in distinctive ways: some extrapolate natural patterns, integrating them into their process; others play with geometrical patterns or create their own patterns inspired by man-made landscapes and invented systems. The goal is to transcend the aesthetic enjoyment of their artworks, and experience the patterns that inspired them.”

    “ArtCenter’s new course upholds our pioneering legacy of championing the vital role of the arts in Miami Beach,” says Executive Director Maria Del Valle. “As we approach our 30th anniversary year in South Beach, ArtCenter’s renewed direction aims to open up our spaces further and broaden our capacities, providing venues for new voices to connect the world of contemporary art to a wider diversity of audiences.”

  • 21 ’til 21: Sunday Coffeehouse

    21 ’til 21: Sunday Coffeehouse

    Do changing landscapes – from geographical, physical spaces to metaphorical, inner spaces – impact an artist’s work? In the fifth program in our 21 ’til 21 Salon Series, we speak to four international artists about wandering.

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    Matti Kovler, Composer

    Matti Kovler’s compositions have been performed by the Israel Philharmonic, the Fox Studios Symphony, at Carnegie Hall and at Tanglewood. Kovler has mastered a range of styles from folk and jazz to those steeped in the classical tradition, and brings these together in works of considerable dramatic scope, by turns comic, mystical, warm, and searing.  Following the premiere of his opera Here Comes Messiah! (commissioned by Carnegie Hall) Matti founded JMT, a performance company specializing in creating new works in this vein.

    For more information: www.mattikovler.com

    Jacqueline Nicholls, Visual Artist

    Jacqueline Nicholls is a London-based visual artist, who uses art to explore and challenge traditional Jewish ideas. Initially trained as an architect and educated in Talmudic studies, Nicholls uses an amalgam of media – including drawing, print, embroidery, tailoring, paper-cutting, and more – to expand the activity of study beyond its textual origins.

    For more information: www.jacquelinenicholls.com

    Tirtzah Bassel, Visual Artist

    Tirtzah Bassel is an Israeli visual artist based in New York. Her drawings, paintings and site-responsive duct tape installations explore the permeable borders separating public and private domains, specifically in subways, barbershops and airport security zones.

    For more information: www.tirtzahbassel.com

    Nino Biniashvili, Visual Artist

    Nino is a graduate of Bezalel (BFA) and Konstfack (MFA) and currently she is conducting research at the Center for Jewish History, New York, as part of the Prins Foundation for Artists and Writers.

    For more information, please email Pauline Nee.

  • A sneak preview of the Jorge M. Pérez Art Museum (PAMM)

    A sneak preview of the Jorge M. Pérez Art Museum (PAMM)

    A few days ago I was given the treat of a hard-hat walk-through of the construction site of the Jorge M. Pérez Art Museum, due to open during the next Art Basel Miami Beach in December 2013. A small group of friends gathered at the site overlooking Biscayne Bay in Downtown Miami. PAMM will be an anchor of the 29-acre Museum Park which will include public gardens and sculpture installations. Museum Park, a vibrant mix of green space and cultural offerings, is Miami’s urban redesign vision for the area now known as Bicentennial Park. This vital downtown park, a catalyst for the transformation of the district, is central to efforts to strengthen Greater Miami’s momentum as an emerging global capital. In addition to the landmark new facilities for PAMM, Museum Park is the future site the Patricia and Phillip Frost Museum of Science, due to open in 2015.

    While the controversy still lingers over the name change, from Miami Art Museum to Jorge M. Pérez Art Museum as a consequence of the real estate magnate and collector donating $35Mil between cash and artworks to the Museum, there is a lot of excitement in the local art community for the unveiling of the new institution.

    It was fascinating to hear about how the Swiss architects Herzog & de Meuron got their initial inspiration from ‘Stiltsville’, a small ‘village’ of week-end homes built on stilts in the ’50s in the middle of the Biscayne Bay, which the architects saw during a boat ride while visiting Miami.
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    The new PAMM facility, will include 200,000 square feet of programmable space, including 120,000 square feet of interior space – more than three times the size of the Museum’s current facility – and 80,000 square feet of exterior space ideal for the display of works of art, educational activities, relaxation and dining. It will house an educational complex with a library, auditorium, classrooms and workshop space, as well as a café and museum store. The building, which obtained silver LEED certification, will be embellished by hanging greenery up to 60 feet tall, that will not only look stunningly beautiful, but also help with temperature control.

    As Tim Walker, the Capital Campaign Director who led the tour explained, the exhibition space includes various types of galleries: spaces for special exhibitions, spaces for special projects created by the artists-in-residence (4 each year), and overview galleries to showcase works from the museum’s collection of approximately 2000 artworks, including recent donations by Jorge Pérez and Dennis and Debra Scholl. Amongst the first artists in residence are Moroccan Bouchra Khalili, Polish Monika Sosnowska, and Israeli Yael Bartana, who have been visiting Miami and the construction site over the last year and are creating new projects commissioned by the institution.

    The museum will open with several exhibitions, including a retrospective of Chinese super start Ai Wei Wei, a survey of Amelia Peláez del Casal (1896 – 1968), one of the most important Cuban painters of the modernist era, while the overview galleries will feature AMERICANA, presenting artwork from the permanent collection produced by artists working in North, South, and Central America, and the Caribbean.

    Can’t wait to see it completed!

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